Zabriskie Point
Zabriskie Point, Teljes Film Magyarul Online videa, zabriskie point
Zabriskie Point, Teljes Film Magyarul Online videa
Zabriskie Point
Eredeti cím: Zabriskie Point ( Film )
Anthropology student Daria, who's helping a property developer build a village in the Los Angeles desert, and dropout Mark, who's wanted by the authorities for allegedly killing a policeman during a student riot, accidentally encounter each other in Death Valley and soon begin an unrestrained romance.
Zabriskie Point
Eredeti cím: Zabriskie Point ( Film )
A landscape that has captivated many filmmakers and enshrined itself in our collective cinematic lore is here abstracted to its foundation: colour, shape, light and shadow. Through the high contrast geometry of its image, the film brings us further from its popular references and closer to the essence of the cinematic experience.
It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point
Eredeti cím: It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point ( Film )
Worlds collide in this unconventional essay film, when filmmaker, film historian, and archivist Daniel Kremer seamlessly edits Michelangelo Antonioni's legendary but controversial counterculture art film Zabriskie Point (1970) into the same narrative universe as Stanley Kramer's madcap epic comedy extravaganza It's a Mad, Mad, Mad, Mad World (1963). In creating these new sequences, Kremer comes to recognize that the exercise effortlessly draws cultural and historical parallels in twentieth-century American life that echo in present-day America. The editorial mashups weave a tangled web of social and cinematic history that root our notions of Americana in the mythology of the desert. As Kremer expounds in his narration on these often astonishing and sometimes shocking associations, his very personal ties to the subject matter become manifest.
Zabriskie Point (Redacted)
Eredeti cím: Zabriskie Point (Redacted) ( Film )
Inspired by a visit to Zabriskie Point – a scenic tourist spot in Death Valley, California this film re-visits and contemporises Antonioni’s 1970 MGM film of the same name.