O J Speaks The Hidden Tapes
O J Speaks The Hidden Tapes, Teljes Film Magyarul Online videa, speaks
O J Speaks The Hidden Tapes, Teljes Film Magyarul Online videa
Speaking of Butterflies
( TV műsorok )
Psychologist Nastya Gracheva is a girl of strict rules from a decent family. She becomes disillusioned with men after the betrayal of the groom and decides on an unusual experiment. Nastya promises her colleagues to get married in the near future, but necessarily for love and with the help of the scientific method. Testing of the staff of her native institute points her to a suitable candidate — zoopsychologist Tema Maslov. The heroine suggests that he test her theory in practice: subjugate the heart to reason, fall in love with each other for the sake of science and deduce the formula of love in order to rid humanity of love suffering forever.
Family Business
Eredeti cím: Family Business ( Film )
Chantal Akerman was commissioned by Visions to make this short film for £20,000. It was first shown on 21 November 1984, on Channel 4. Akerman herself plays the role of a director visiting Hollywood to find financing from an uncle she hardly knows. Very little goes to plan… Also stars Aurore Clement and Colleen Camp.
Cries from the Heart
Eredeti cím: Cries from the Heart ( Film )
Michael, a young autistic boy who has trouble with verbalization but a real talent for technology, uses a computer to plead for help after being molested at his school.
Song of Heroes
Eredeti cím: Комсомол ( Film )
The building of blast furnaces Magnitogorsk and the Kubas Basin by Komsomol, the Communist Union of youth, as part of Stalin’s first five-year plan.
The Real King's Speech
Eredeti cím: The Real King's Speech ( Film )
The true story of King George VI's struggle to overcome his stammer, and the parts played in his battle with his disability by his speech therapist, brother, father and wife.
Jean Cocteau Addresses the Year 2000
Eredeti cím: Jean Cocteau s'adresse... à l'an 2000 ( Film )
In August 1963, just a couple of months before his death, Jean Cocteau made one last short film. The film comprises one still and highly sober shot of Cocteau facing the camera head-on to address the youth of the future. Once recorded, this spoken message for the 21st century was sealed and stored with the understanding that it would be opened only in the year 2000. As it turned out, it was discovered and exhumed a few years shy of that date. Where in The Testament of Orpheus Cocteau portrays himself as a living anachronism, a lonesome classical modernist loitering in space-time while lost in the spectral light of his memories, here he acknowledges explicitly the irony of his phantom-like state. By the time the viewer sees this image, he, J. C., our saviour Poet, will long be dead.